viernes, 14 de octubre de 2022

LET´S GET WRITING

 

Rhetorical Modes

The term rhetorical modes refers to the different styles and techniques we use when we write. This chapter will discuss different modes, explaining the specific aspects and techniques involved in these methods of communication. As you read about these, remember that the rhetorical mode a writer chooses depends on his/her purpose for writing. Some assignments ask students to use a specific rhetorical mode, such as writing a descriptive passage or contrasting two concepts, but most essays incorporate several different rhetorical modes to express an idea. Overall, the rhetorical modes are a set of tools that allow you different methods to effectively communicate information to your audience.


1.       Narrative

2.       Description

3.       Process analysis

4.       Illustration and exemplification

5.       Cause and effect

6.       Comparison and contrast

7.       Definition

8.       Classification

 Continue reading HERE

Read the complete article and take notes. You should be able to identify the different patterns and describe their distinctive features. Upload your notes on items 1 and 2 (Narrative and Description)  to the following shared folder: https://drive.google.com/drive/folders/1INbukatWUkcA1vZ-wTzQx_xtyRdueFn-?usp=sharing

24/09/2021 

a) Look at the following pictures and write a short description of each one (one paragraph each) on a Google Document: https://drive.google.com/drive/folders/1INbukatWUkcA1vZ-wTzQx_xtyRdueFn-?usp=sharing






b) Look at the following picture and write a short narrative about what happened (past), using the landscape and the character you described before. Add it to the previous file.



c) Put together a) and b) and  make the necessary changes to complete the anecdote. Add it to the previous file.





viernes, 30 de septiembre de 2022

Paragraphing Your Work

 Sentences have to be grouped together in paragraphs, which are indented at the beginning so the page looks more ‘reader friendly’. Most paragraphs contain a number of sentences but it is

possible to use a one-sentence paragraph for effect.

Paragraphs can vary in length but each paragraph deals with one topic. Within the group of sentences there should usually be a topic sentence. This is the main sentence and the content is expanded in the rest of the paragraph.

◆The start of a paragraph must always be indented.
◆Paragraphs must deal with only one topic.
◆ Each paragraph should have a topic sentence whose content is expanded in the rest of the  paragraph.
◆ Short paragraphs may be used for effect.
◆ Direct speech is always enclosed in inverted commas.
◆ A new paragraph always starts at the beginning of the sentence in which a character speaks.
◆ There is always a punctuation mark before the inverted commas are closed.
◆ A punctuation mark always separates the speech from the person who says it.
◆ Start a new paragraph when returning to the narrative.
◆ Use double inverted commas for quotations and titles if contained in dialogue.
◆ Inverted commas are not needed when reporting speech or writing a play.


Read unit 4  from Improve your writing and complete  the activities there.

viernes, 19 de agosto de 2022

What Makes an Effective Sentence?

Writing beautiful sentences is not an exact science. Although there are basic rules of grammar, good writers find ways to express themselves through writing in different ways: using different vocabulary, varying the length of sentences, using different sentence types, and more!
As you know, grammatically, a sentence needs a subject and a predicate. However, stylistically, it needs much more:
  • clarity:  a sentence should be clear to the reader
  • well-chosen vocabulary: choose words whose meaning you are sure of, and use them correctly
  • strong verbs: when possible, use verbs that show the action of the sentence. The verb 'be' (in all its forms -- is, are, was, were, etc.) is a weaker choice of verb in many cases. Try to find a verb that shows the action.
  • proper length: if your sentence expresses a simple idea, it probably needs to be a short sentence. More complex ideas may need longer sentences. Vary your sentence lengths as well. If all your sentences are short, your writing sounds "choppy." If all your sentences are long, your writing can be overly complicated and hard to understand.
  • limited number of clauses and prepositions: the more clauses and prepositions you have in a sentence, the harder it can be to understand. Think about how many clauses you have included in a single sentence.
  • subject-verb agreement: be sure you can identify the subject of your sentence, then make sure the verb agrees with it in number. For example:

The cup is full of coffee.
The cups are full of coffee.

  • correct verb tense: if you are speaking of things in the past, use past tense verbs. This may seem obvious, but it can be a difficult aspect of English.


Famous Sentences


The sentences below are some of the most famous in English language literature (although some are translated from their original languages).
As you read each sentence, ask yourself what the writer was trying to accomplish. Also think about the choice of vocabulary, the message, and any other thing that appeals to you.
After you've read them all, choose your favorite and discuss what makes it a good sentence, in your opinion. Post your response in the comment section; respond to at least two of your classmates' choices.

Ships at a distance have every man's wish on board. — Their Eyes Were Watching God, by Zora Neale Hurston

"Call me Ishmael."  — Moby Dick, by Herman Melville

"It was a bright cold day in April, and the clocks were striking thirteen." — 1984, by George Orwell


"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." —Waiting, by Ha Jin

"Happy families are all alike; every unhappy family is unhappy in its own way." — Anna Karenina, by Leo Tolstoy

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only."  — A Tale of Two Cities, by Charles Dickens

"All this happened, more or less." —Slaughterhouse-Five, by Kurt Vonnegut

"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice." —100 Years of Solitude, by Gabriel García Márquez

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." —Pride and Prejudice, by Jane Austen

"Mother died today. Or maybe yesterday; I can't be sure." —The Stranger, by Albert Camus

"A story has no beginning or end; arbitrarily one chooses that moment of experience from which to look back or from which to look ahead." —The End of the Affair, by Graham Greene

"124 was spiteful." --Beloved, by Toni Morrison

"The Man in Black fled across the desert, and the Gunslinger followed." —The Gunslinger, by Stephen King

"It was a pleasure to burn." —Fahrenheit 451, by Ray Bradbury

"I am an invisible man." —Invisible Man, by Ralph Ellison

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into an enormous insect." —The Metamorphosis, by Franz Kafka

viernes, 15 de julio de 2022

Report + Summary

 Activity1:


Choose one of the elements named in the story and write a short report about it. (badminton, Cambodia, London, the Statue of Liberty, etc). No need to include a contents page or a summary of the report. The last paragragh should relate the report to the story.

Share the link to the report in the comment section. 



Activity 2:


Write a short summary of the story. Share the link to the summary in the comment section. Do no forget to include your name and surname.

viernes, 24 de junio de 2022

How to cite

 One of the most important skills you can develop as a student is the ability to use outside sources correctly and smoothly. Academic knowledge builds on the knowledge of others. When we cite others through our quotations and paraphrases, we start with ideas established by others and build upon them to develop our own ideas.


1. WHAT IS A QUOTATION?

A quotation is one way you may make use of a source to support and illustrate points in your essay. A quotation is made up of exact words from the source, and you must be careful to let your reader know that these words were not originally yours. To indicate your reliance on exact words from a source, either place the borrowed words between quotation marks or if the quotation is four lines or more, use indentation to create a block quotation.

Once you have determined that you want to use a quotation, the following strategies will help you smoothly fit quotations into your writing. We will discuss these strategies in more detail later in this chapter.

  • Signal phrases help you integrate quoted material into your essay.
  • Quotations must be made to work within the grammar of your sentences, whether you are quoting phrases or complete sentences.
  • Quotations must be properly punctuated.
  • Quotations must contain a citation.

2. WHEN SHOULD I QUOTE?

Quote when the exact wording is necessary to make your point. For example, if you were analyzing the style choices in Martin Luther King, Jr.’s “I Have a Dream” speech, you would quote because it would be important to illustrate the unforgettable language or to use exact wording in a discussion of word choice and sentence structure. You would also quote if the exact wording captures information, tone, or emotion that would be lost if the source were reworded. Use quotations to assist with conciseness if it would take you longer to relate the information if you were to put it into your own words. Finally, if you cannot reword the information yourself and retain its meaning, you should quote it.

Source: It has begun. It is awful—continuous and earthquaking.

Quoting to preserve emotion: One nurse described an exchange between the two sides as “awful—continuous and earthquaking” (Burton 120).

3. HOW LONG SHOULD A QUOTATION BE?

Quote only as many words as necessary to capture the information, tone, or expression from the original work for the new context that you are providing. Lengthy quotations actually can backfire on a writer because key words from the source may be hidden among less important words. In addition, your own words will be crowded out. Never quote a paragraph when a sentence will do; never quote a sentence when a phrase will do; never quote a phrase when a word will do.

Source: It has begun. It is awful—continuous and earthquaking.

Quoting everything: One nurse described an artillery exchange between the two sides. She wrote, “It has begun. It is awful—continuous and earthquaking” (Burton 120).

Quoting key words: One nurse described an artillery exchange between the two sides as “awful—continuous and earthquaking” (Burton 120).

4. WHAT IS A PARAPHRASE?

paraphrase preserves information from a source but does not preserve its exact wording. A paraphrase uses vocabulary and sentence structure that is largely different from the language in the original. A paraphrase may preserve specialized vocabulary shared by everyone in a field or discipline; otherwise, the writer paraphrasing a source starts fresh, creating new sentences that repurpose the information in the source so that the information plays a supportive role its new location.

5. WHEN SHOULD I PARAPHRASE?

Paraphrase when information from a source can help you explain or illustrate a point you are making in your own essay, but when the exact wording of the source is not crucial.

Source: The war against piracy cannot be won without mapping and dividing the tasks at hand. I divide this map into two parts: that which anyone can do now, and that which requires the help of lawmakers.

Paraphrase: Researchers argue that legislators will need to address the problem but that other people can get involved as well (Lessig 563).

If you were analyzing Lessig’s style, you might want to quote his map metaphor; however, if you were focusing on his opinions about the need to reform copyright law, a paraphrase would be appropriate.

6. WHAT IS EFFECTIVE PARAPHRASING?

Effective paraphrasing repurposes the information from a source so that the information plays a supportive role in its new location. This repurposing requires a writer to rely on her own sentence structure and vocabulary. She creates her own sentences and chooses her own words so the source’s information will fit into the context of her own ideas and contribute to the development of her thesis.

Source: Citizens of this generation witnessed the first concerted attempt to disseminate knowledge about disease prevention and health promotion, downplaying or omitting altogether information about disease treatment.

Effective Paraphrase: Murphy pointed out that in the first half of the nineteenth century, people worked hard to spread information about how to prevent disease but did not emphasize how to treat diseases (415).

7. WHEN DOES PARAPHRASING BECOME PLAGIARISM?

A paraphrase should use vocabulary and sentence structure different from the source’s vocabulary and sentence structure. Potential plagiarism occurs when a writer goes through a sentence from a source and inserts synonyms without rewriting the sentence as a whole.

Source: Citizens of this generation witnessed the first concerted attempt to disseminate knowledge about disease prevention and health promotion, downplaying or omitting altogether information about disease treatment.

Potential plagiarism: People of this period observed the first organized effort to share information about preventing disease and promoting health, deemphasizing or skipping completely information about treating diseases (Murphy 141).

The sentence structure of the bad paraphrase is identical to the sentence structure of the source, matching it almost word for word. The writer has provided an in-text citation pointing to Murphy as the source of the information, but she is, in fact, plagiarizing because she hasn’t written her own sentence.


CLICK HERE TO READ THE COMPLETE ARTICLE: LET'S GET WRITING!

Chapter 7 – How and Why to Cite

viernes, 6 de mayo de 2022

Critical Reading

 

WHAT IS CRITICAL READING?

Reading critically does not simply mean being moved, affected, informed, influenced, and persuaded by a piece of writing. It refers to analyzing and understanding the overall composition of the writing as well as how the writing has achieved its effect on the audience. This level of understanding begins with thinking critically about the texts you are reading. In this case, “critically” does not mean that you are looking for what is wrong with a work (although during your critical process, you may well do that). Instead, thinking critically means approaching a work as if you were a critic or commentator whose job it is to analyze a text beyond its surface.

 

Tip:

A text is simply a piece of writing, or as Merriam-Webster defines it, “the main body of printed or written matter on a page.”  In English classes, the term “text” is often used interchangeably with the words “reading” or “work.”

 This step is essential in analyzing a text, and it requires you to consider many different aspects of a writer’s work. Do not just consider what the text says; think about what effect the author intends to produce in a reader or what effect the text has had on you as the reader.  For example, does the author want to persuade, inspire, provoke humor, or simply inform his audience?  Look at the process through which the writer achieves (or does not achieve) the desired effect and which rhetorical strategies he uses. If you disagree with a text, what is the point of contention? If you agree with it, how do you think you can expand or build upon the argument put forth?

WHY DO YOU READ CRITICALLY?

Critical reading has many uses. If applied to a work of literature, for example, it can become the foundation for a detailed textual analysis. With scholarly articles, critical reading can help you evaluate their potential reliability as future sources. Finding an error in someone else’s argument can be the point of destabilization you need to make a worthy argument of your own, illustrated in the final tweet from the previous image, for example. Critical reading can even help you hone your own argumentation skills because it requires you to think carefully about which strategies are effective for making arguments, and in this age of social media and instant publication, thinking carefully about what we say is a necessity.

HOW DO YOU READ CRITICALLY?

How many times have you read a page in a book, or even just a paragraph, and by the end of it thought to yourself, “I have no idea what I just read; I can’t remember any of it”?  Almost everyone has done it, and it’s particularly easy to do when you don’t care about the material, are not interested in the material, or if the material is full of difficult or new concepts. If you don’t feel engaged with a text, then you will passively read it, failing to pay attention to substance and structure.  Passive reading results in zero gains; you will get nothing from what you have just read.

On the other hand, critical reading is based on active reading because you actively engage with the text, which means thinking about the text before you begin to read it, asking yourself questions as you read it as well as after you have read it, taking notes or annotating the text, summarizing what you have read, and, finally, evaluating the text.  Completing these steps will help you to engage with a text, even if you don’t find it particularly interesting, which may be the case when it comes to assigned readings for some of your classes.  In fact, active reading may even help you to develop an interest in the text even when you thought that you initially had none.

By taking an actively critical approach to reading, you will be able to do the following:

  • Stay focused while you read the text
  • Understand the main idea of the text
  • Understand the overall structure or organization of the text
  • Retain what you have read
  • Pose informed and thoughtful questions about the text
  • Evaluate the effectiveness of ideas in the text

Specific questions generated by the text can guide your critical reading process. Use them when reading a text, and if asked to, use them in writing a formal analysis. When reading critically, you should begin with broad questions and then work towards more specific questions; after all, the ultimate purpose of engaging in critical reading is to turn you into an analyzer who asks questions that work to develop the purpose of the text.


PREPARING FOR A READING ASSIGNMENT

You need to make a plan before you read.  Planning ahead is a necessary and smart step in various situations, inside or outside of the classroom. You wouldn’t want to jump into dark water head first before knowing how deep the water is, how cold it is, or what might be living below the surface. Instead, you would want to create a strategy, formulate a plan before you made that jump.  The same goes for reading.

  • Planning Your Reading

Have you ever stayed up all night cramming just before an exam or found yourself skimming a detailed memo from your boss five minutes before a crucial meeting? The first step in successful college reading is planning. This involves both managing your time and setting a purpose for your reading.

  • Managing Your Reading Time

This step involves setting aside enough time for reading and breaking assignments into manageable chunks. If you are assigned a seventy-page chapter to read for next week’s class, try not to wait until the night before it’s due to get started. Give yourself at least a few days and tackle one section at a time.

The method for breaking up the assignment depends on the type of reading. If the text is dense and packed with unfamiliar terms and concepts, limit yourself to no more than five or ten pages in one sitting so that you can truly understand and process the information. With more user-friendly texts, you can handle longer sections—twenty to forty pages, for instance. Additionally, if you have a highly engaging reading assignment, such as a novel you cannot put down, you may be able to read lengthy passages in one sitting.

As the semester progresses, you will develop a better sense of how much time you need to allow for reading assignments in different subjects. Also consider previewing each assignment well in advance to assess its difficulty level and to determine how much reading time to set aside.

 ESTABLISHING YOUR PURPOSE

Establishing why you read something helps you decide how to read it, which saves time and improves comprehension. This section lists some purposes for reading as well as different strategies to try at each stage of the reading process.

Purposes for Reading

In college and in your profession, you will read a variety of texts to gain and use information (e.g., scholarly articles, textbooks, reviews). Some purposes for reading might include the following:

  • to scan for specific information
  • to skim to get an overview of the text
  • to relate new content to existing knowledge
  • to write something (often depends on a prompt)
  • to discuss in class
  • to critique an argument
  • to learn something
  • for general comprehension

Tip:

To skim a text means to look over a text briefly in order to get the gist or overall idea of it.  When skimming, pay attention to these key parts:

●Title

●Introductory paragraph, which often contains the writer’s thesis or main idea

●Topic sentences of body paragraphs

●Conclusion paragraph

●Bold or italicized terms

 

Strategies differ from reader to reader. The same reader may use different strategies for different contexts because her purpose for reading changes. Ask yourself “why am I reading?” and “what am I reading?” when deciding which strategies work best.

Key Takeaways

  • College-level reading and writing assignments differ from high school assignments not only in quantity but also in quality.
  • Managing college reading assignments successfully requires you to plan and manage your time, set a purpose for reading, practice effective comprehension strategies, and use active reading strategies to deepen your understanding of the text.
  • College writing assignments place greater emphasis on learning to think critically about a particular discipline and less emphasis on personal and creative writing.

 

 RIGHT BEFORE YOU READ

Once you have established your purpose for reading, the next step is to preview the text.  Previewing a text involves skimming over it and noticing what stands out so that you not only get an overall sense of the text, but you also learn the author’s main ideas before reading for details.  Thus, because previewing a text helps you better understand it, you will have better success analyzing it.

Questions to ask when previewing may include the following:

  • What is the title of the text?  Does it give a clear indication of the text’s subject?
  • Who is the author?  Is the author familiar to you?  Is any biographical information about the author included?
  • If previewing a book, is there a summary on the back or inside the front of the book?
  • What main idea emerges from the introductory paragraph?  From the concluding paragraph?
  • Are there any organizational elements that stand out, such as section headings, numbering, bullet points, or other types of lists?
  • Are there any editorial elements that stand out, such as words in italics, bold print, or in a large font size?
  • Are there any visual elements that give a sense of the subject, such as photos or illustrations?

Once you have formed a general idea about the text by previewing it, the next preparatory step for critical reading is to speculate about the author’s purpose for writing.

  • What do you think the author’s aim might be in writing this text?
  • What sort of questions do you think the author might raise?

 WHILE YOU READ

Improving Your Comprehension

Thus far, you have blocked out time for your reading assignments, established a purpose for reading, and previewed the text. Now comes the challenge: making sure you actually understand all the information you are expected to process. Some of your reading assignments will be fairly straightforward. Others, however, will be longer and more complex, so you will need a plan for how to handle them.

For any expository writing—that is, nonfiction, informational writing—your first comprehension goal is to identify the main points and relate any details to those main points. Because college-level texts can be challenging, you should monitor your reading comprehension. That is, you should stop periodically to assess how well you understand what you have read. Finally, you can improve comprehension by taking time to determine which strategies work best for you and putting those strategies into practice.

Identifying the Main Points

In college, you will read a wide variety of materials, including the following:

  • Textbooks. These usually include summaries, glossaries, comprehension questions, and other study aids.
  • Nonfiction trade books, such as a biographical book. These are less likely to include the study features found in textbooks.
  • Popular magazine, newspaper, or web articles. These are usually written for the general public.
  • Scholarly books and journal articles. These are written for an audience of specialists in a given field.

Regardless of what type of expository text you are assigned to read, the primary comprehension goal is to identify the main point: the most important idea that the writer wants to communicate, often stated early on in the introduction and often re-emphasized in the conclusion. Finding the main point gives you a framework to organize the details presented in the reading and to relate the reading to concepts you learned in class or through other reading assignments. After identifying the main point, find the supporting points: the details, facts, and explanations that develop and clarify the main point.

Tip:

Your instructor may use the term “main point” interchangeably with other terms, such as thesis, main argument, main focus, or core concept.

 

Some texts make the task of identifying the main point relatively easy. Textbooks, for instance, include the aforementioned features as well as headings and subheadings intended to make it easier for students to identify core concepts as well as the hierarchy of concepts (working from broad ideas to more focused ideas). Graphic features, such as sidebars, diagrams, and charts, help students understand complex information and distinguish between essential and inessential points. When assigned a textbook reading, be sure to use available comprehension aids to help you identify the main points.

Trade books and popular articles may not be written specifically for an educational purpose; nevertheless, they also include features that can help you identify the main ideas. These features include the following:

  • Trade books. Many trade books include an introduction that presents the writer’s main ideas and purpose for writing. Reading chapter titles (and any subtitles within the chapter) provides a broad sense of what is covered. Reading the beginning and ending paragraphs of a chapter closely can also help comprehension because these paragraphs often sum up the main ideas presented.

 

  • Popular articles. Reading headings and introductory paragraphs carefully is crucial. In magazine articles, these features–along with the closing paragraphs–present the main concepts. Hard news articles in newspapers present the gist of the news story in the lead paragraph, while subsequent paragraphs present increasingly general bits of information.

At the far end of the reading difficulty scale are scholarly books and journal articles. Because these texts are written for a specialized, highly educated audience, the authors presume their readers are already familiar with the topic. The language and writing style are sophisticated and sometimes dense.

When you read scholarly books and journal articles, you should apply the same strategies discussed earlier. The introduction usually presents the writer’s thesis, the idea or hypothesis the writer is trying to prove. Headings and subheadings can reveal how the writer has organized support for his or her thesis. If the text contains neither headings nor subheadings, however, then topic sentences of paragraphs can reveal the writer’s sense of organization. Additionally, academic journal articles often include a summary at the beginning, called an abstract, and electronic databases include summaries of articles, too.

Annotating a text means that you actively engage with it by taking notes as you read, usually by marking the text in some way (underlining, highlighting, using symbols such as asterisks) as well as by writing down brief summaries, thoughts, or questions in the margins of the page.  If you are working with a textbook and prefer not to write in it, annotations can be made on sticky notes or on a separate sheet of paper.  Regardless of what method you choose, annotating not only directs your focus, but it also helps you retain that information.  Furthermore, annotating helps you to recall where important points are in the text if you must return to it for a writing assignment or class discussion.

Tip:

Annotations should not consist of JUST symbols, highlighting, or underlining. Successful and thorough annotations should combine those visual elements with notes in the margin and written summaries; otherwise, you may not remember why you highlighted that word or sentence in the first place.

 

How to Annotate:

  • Underline, highlight, or mark sections of the text that seem important, interesting, or confusing.
  • Be selective about which sections to mark; if you end up highlighting most of a page or even most of a paragraph, nothing will stand out, and you will have defeated the purpose of annotating.
  • Use symbols to represent your thoughts.
  • Asterisks or stars might go next to an important sentence or idea.
  • Question marks might indicate a point or section that you find confusing or questionable in some way.
  • Exclamation marks might go next to a point that you find surprising.
  • Abbreviations can represent your thoughts in the same way symbols can
  • For example, you may write “Def.” or “Bkgnd” in the margins to label a section that provides definition or background info for an idea or concept.
  • Think of typical terms that you would use to summarize or describe sections or ideas in a text, and come up with abbreviations that make sense to you.
  • Write down questions that you have as you read.
  • Identify transitional phrases or words that connect ideas or sections of the text.
  • Mark words that are unfamiliar to you or keep a running list of those words in your notebook.
  • Mark key terms or main ideas in topic sentences.
  • Identify key concepts pertaining to the course discipline (i.e.–look for literary devices, such as irony, climax, or metaphor, when reading a short story in an English class).
  • Identify the thesis statement in the text (if it is explicitly stated).


Figure 1.4  Sample Annotated Emily Dickinson Poem

Sample Annotated Emily Dickinson Poem

image

Figure 1.5 Sample Annotated Walt Whitman Poem “The Dalliance of the Eagles”

Sample Annotated Walt Whitman Poem “The Dalliance of the Eagles”

alt="sample whitman annotation"

For three different but equally helpful videos on how to read actively and annotate a text, click on one of the links below:

How to Annotate” (https://youtu.be/muZcJXlfCWs,  transcript here)

5 Active Reading Strategies” (https://youtu.be/JL0pqJeE4_w, transcript here)

10 Active Reading Strategies” (https://youtu.be/5j8H3F8EMNI, transcript here)

AFTER YOU READ

Once you’ve finished reading, take time to review your initial reactions from your first preview of the text.  Were any of your earlier questions answered within the text?  Was the author’s purpose similar to what you had speculated it would be?

The following steps will help you process what you have read so that you can move onto the next step of analyzing the text.

  • Summarize the text in your own words (note your impressions, reactions, and what you learned) in an outline or in a short paragraph
  • Talk to someone, like a classmate, about the author’s ideas to check your comprehension
  • Identify and reread difficult parts of the text
  • Review your annotations
  • Try to answer some of your own questions from your annotations that were raised while you were reading
  • Define words on your vocabulary list and practice using them (to define words, try a learner’s dictionary, such as Merriam-Webster’s)


ACTIVITY:  READ THE ARTICLE AND TAKE NOTES. WE ARE GOING TO USE THEM TO READ A NEW ARTICLE IN CLASS.

viernes, 29 de abril de 2022

29/04/2021

 Reading and Writing in College

In college, academic expectations change from what you may have experienced in high school. The quantity of work you are expected to do is increased. When instructors expect you to read pages upon pages or study hours and hours for one particular course, managing your work load can be challenging. Regardless of your field of study, honing your writing skills—and your reading and critical-thinking skills—gives you a more solid academic foundation.

The quality of the work you do also changes. It is not enough to understand course material and summarize it on an exam. You will also be expected to seriously engage with new ideas by reflecting on them, analyzing them, critiquing them, making connections, drawing conclusions, or finding new ways of thinking about a given subject. Educationally, you are moving into deeper waters. A good introductory writing course will help you swim.

Table 1 “High School versus College Assignments” summarizes some of the other major differences between high school and college assignments.



Review Table 1. “High School versus College Assignments” and think about how you have found your college experience to be different from high school so far. Respond to the following questions:

1. In what ways do you think college will be more rewarding for you as a learner?

2. What aspects of college do you expect to find most challenging?

3. What changes do you think you might have to make in your life to ensure your success in college?

Source: Writing for Success - UNIVERSITY OF MINNESOTA LIBRARIES PUBLISHING EDITION, 2015. THIS EDITION ADAPTED FROM A WORK ORIGINALLY PRODUCED IN 2010 BY A PUBLISHER WHO HAS REQUESTED THAT IT NOT RECEIVE ATTRIBUTION.MINNEAPOLIS, MN